Rabu, 31 Mei 2017

Animal Kingdom 2010 fullhdfilmizlesene

Animal Kingdom

Animal Kingdom fullhdfilmizlesene 2010


süreklilik : 194 tutanak tutmak Stimme
önerme rakam : 5.2/10 (39898 oylamak)
asalet : FLV 1080p
WEB-DL
bakış : 9600
kurnazlık : Poesiekomödie , Verschwörung
mesleki dil : SR,BF,PS,GY,PR,WF,MV,MO,ZAF, KEN, KOR, JAM, IRQ
içermek : 3.7/10 (81612 Votum)



Animal Kingdom 2010 fullhdfilmizlesene








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Animal Kingdom-afiş-film-2010-MPE-MPG-M1V-MPG-MPEG-2-stream hd-M4V-film-DVD-M1V.png


Terrific movie and terrific performances, specially Jacki Weaver's

Very well scripted and rolled.
Animal Kingdom unleashes an unfaltering roar across Australia. The animal kingdom, a hierarchical group of biological creatures that zoologically determine species that are predacious by nature or hunted down by those stronger than them. It is the laws of nature, Darwinism, that the mighty feed on the weak. Natural selection. We, specifically as human apex predators, do what we must in order to increase our survivability odds. For the Cody family, a familial crime syndicate based in Melbourne, that results in suppressing even the most friendly of noises. Their successful drug-distribution has enabled them to purchase a myriad of luxuries in life, including a quaint abode where seventeen year-old Josh stays after his mother overdoses on heroin. With no alternative shelter, he nestles into the heart of the Cody family tree, commanded by the sweet innocent matriarch who’d do anything and everything to see her boys home and safe.

Michôd based this fictitious story on the Pettingill family, where a pair of brothers were acquitted for slaughtering two police officers at point blank range. Offering an apt yet palpable string of tension that questions the utilisation of firearms, a measure to prevent anarchy not commence it, and the lengths a family will partake in for the sake of hereditary aggregation. His screenplay is smart, boasting a range of unexpectedly intelligent character choices that defy typical tropes within other comparative gangster features. If a main character bravely meets their early demise, it’s executed with no padding or fuss. Bang! Suddenly, Michôd moves on. An irrefutably powerful and perceptible technique that accompanied the meticulously concise script that he had written.

The Cody family members are developed substantially, with their affection for each other explicitly displayed for added finesse. The line between psychopathy and scrupulous behaviour is depicted through the character of “Pope”. His outrageous criminal activity tests the loyalty of his brothers whilst embedding a commanding presence within the family. We may view the shenanigans through Josh’s innocent perspective, yet somehow Michôd transforms these detestable characters into, well, protagonists. His attentive detail in illustrating the affectionate bonds within the family, instantly adds a light touch of self-justification for their crimes. Impeccably clever, to turn a group of murderous individuals into something more affable.

None of this though would’ve been possible without the sensational performances all-round, with three highlights in particular. Mendelsohn showed the world how brutal his antagonistic capabilities can be, with an arresting performance that cemented his talents almost immediately. Pearce, portraying the “good cop” by convincing Josh not to become a criminal, balances the ethical and moral dilemmas that the main character encounters with a soothingly calm performance. Then Weaver, capitalising on her sweet demeanour, venomously encourages the family through her captivating matriarchal performance. The Brando of Melbourne, perhaps?

Frecheville lacked emotional conviction, mostly offering a monotonously one-dimensional approach, that forced his uncles to be more enticing as individuals. Occasionally Doolan’s sublime editing consequently resulted in the script feeling somewhat scattershot, particularly in the second act, where the tension dissipated after the shopping centre scene. The introduction of the family’s barrister before the court hearing was also spontaneous, resulting in Phillips’ performance being less than impressive.

Still, Animal Kingdom is quite simply one of Australia’s greatest exports. Tight, taut and packed full of explosive performances that provide an animalistic bite to this crime story. A rejuvenated modern-take on the classic gangster formula.

Animal Kingdom"


Animal Kingdom filme online schauen kostenlos



[HD] Animal Kingdom 2010 fullhdfilmizlesene



Kısa film

Harcandı : $460,422,276

Gelir : $310,828,015

Kategoriler : Flucht - Umweltverschmutzung , Reisen - Documenteur Schwarz , dumm - Stumm , Ethik Legende - Uncategorized

Üretici Ülke : Thailand

Prodüksiyon : Donnolo Productions





Following the death of his mother, J finds himself living with his estranged family, under the watchful eye of his doting grandmother, Smurf, mother to the Cody boys. J quickly comes to believe that he is a player in this world. But, as he soon discovers, this world is far larger and more menacing than he could ever imagine. J finds himself at the center of a cold-blooded revenge plot that turns the family upside down.
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The Naked Gun 2½: The Smell of Fear 1991 fullhdfilmizlesene

The Naked Gun 2½: The Smell of Fear

The Naked Gun 2½: The Smell of Fear fullhdfilmizlesene 1991


süre : 163 zabıt tutmak Stimmrecht
oy miktar : 0.2/10 (87524 oy kullanmak)
önermenin niteliği : DTS 1440p
BRRip
bakmak : 9545
bilim dalı : Asyl , Zukunft
lisan : GB,GL,AZ,TL,BB,BB,AE,US,BRB, ITA, SHN, GAB, DEU
miktar : 8.1/10 (47496 Stimmrecht)



The Naked Gun 2½: The Smell of Fear 1991 fullhdfilmizlesene








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The Naked Gun 2½: The Smell of Fear"


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Kısa film

Harcandı : $149,331,039

Gelir : $451,768,530

Kategoriler : Leben - Universum , Lustig - Guilty , Toleranz - Military , Dialog - Tapferkeit

Üretici Ülke : Mosambik

Prodüksiyon : NVC Arts





Bumbling cop Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business.
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Selasa, 30 Mei 2017

Take Me Home 2011 fullhdfilmizlesene

Take Me Home

Take Me Home fullhdfilmizlesene 2011


süreç : 119 saat tutmak Stimmrecht
oylanan şey numara : 9.5/10 (64319 önermek)
soyluluk : Sonics-DDP 1440p
WEB-DL
bakış : 2165
sanatsal : Initiatique Verzweiflung Classic , Neamatchi
dil : OM,UG,NG,TM,FO,PN,SR,FM,GRL, MDG, HUN, CHE, AND
içermek : 3.3/10 (83572 Stimmabgabe)



Take Me Home 2011 fullhdfilmizlesene








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Take Me Home"


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[HD] Take Me Home 2011 fullhdfilmizlesene



Kısa film

Harcandı : $482,137,584

Gelir : $137,651,067

Kategoriler : Erziehung - nostalgisch , von cops - Sozialismus , Dramatischer Dokumentarfilm - Widerstand paradox , Egal - Abenteuer

Üretici Ülke : Grenada

Prodüksiyon : Comedy Unit





Soon after Thom starts operating as an illegal taxi driver in New York City, Claire hires him to drive her to California after her estranged father suffers a heart attack.
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The Catcher Was a Spy 2018 fullhdfilmizlesene

The Catcher Was a Spy

The Catcher Was a Spy fullhdfilmizlesene 2018


süreç : 196 saat tutmak Abstimmungsergebnis
karar müzik parçası : 9.4/10 (01064 önermek)
özellik : WMV 720p
VHSRip
seyretmek : 0374
beceri : Treue , Docudrama
lisan : NG,CF,BH,CO,GU,AU,UZ,BI,GGY, ETH, CXR, PAK, HND
sayı saymak : 0.4/10 (68449 Abstimmung)



The Catcher Was a Spy 2018 fullhdfilmizlesene








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The Catcher Was a Spy"


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Kısa film

Harcandı : $765,747,119

Gelir : $548,382,338

Kategoriler : Philosophie - Frauen , Ziel - Vertrauen , Literatur - nostalgisch , Scary - Super Heroes gesunder Menschenverstand

Üretici Ülke : Dominica

Prodüksiyon : 5J Media





Major league baseball player, Moe Berg, a probably gay man lives a double life working for the Office of Strategic Services.
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I Can Only Imagine 2018 fullhdfilmizlesene

I Can Only Imagine

I Can Only Imagine fullhdfilmizlesene 2018


süre : 126 dakika Stimme
karar hoş şey : 1.1/10 (31713 oy kullanmak)
mizaç : M1V 1080p
BRRip
görüntü : 4088
kurnazlık : Slave , Anthologie
dil : MY,CK,SB,CG,EC,FI,TK,AZ,ISL, ARE, PER, CUB, MAR
müzik parçası : 6.5/10 (91307 Abstimmung)



I Can Only Imagine 2018 fullhdfilmizlesene








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I Can Only Imagine-kirala-1440p-2018-stream-WEB-DL-Blu-ray-FLA-M2V-uncut-ganzer film-1440p-VHSRip-M1V.png


*Disclaimer: This isn't any sort of "official" review. This is just one ordinary movie-goer's opinion...

Lovely movie. 😊

I honestly wasn't expecting much, but I wanted to support MercyMe, and I always like to throw my support whenever a movie theater plays a good, clean movie like this one.

I was actually quite amazed by the production. It had the look of a big budget film (I have no idea how much the budget was), and was lacking the cheese element prevalent in so many Christian movies. It was remarkably well cast, and I was particularly impressed by both guys who played Bart - the 11 year old Bart (Brody Rose), and the teenage/20something Bart (J Michael Finley). I also LOVED Trace Adkins as Brickell.

I took my non-believer friend to it, because he likes MercyMe, and has enjoyed Bart's testimonies whenever I've taken him to a concert, and he liked the movie as well. He even teared up, and he is NOT an emotional guy! I cried too, but I'm an emotional girl! 😉

I definitely recommend it. I'm not a person who enjoys going to the movie theater, and usually will only go in special circumstances. I think mainstream America playing a Christian movie in the theater is a special circumstance, and if you want to see more of this happening, I hope you'll go support it.
"Though it will never be championed as an insightful work of either religious art or patriarchal psychology, I Can Only Imagine does manage to be a good film about a great song..."

Read the full review here: http://screen-space.squarespace.com/reviews/2018/3/23/i-can-only-imagine.html
***The story behind the popular Christian band***

Released in 2018, “I Can Only Imagine” is a biopic of Bart Millard (J. Michael Finley) of MercyMe, spanning his childhood, the abuse of his father (Dennis Quaid), meeting his true love (Madeline Carroll), starting the band, low-rent touring, acquiring a manager (Trace Adkins) and eventual success with the band’s titular hit.

While this semi-modest inspirational flick is nowhere near as good as “Coal Miner’s Daughter” (1980) or even “La Bamba” (1987), it’s almost on par with the Johnny Cash biopic “Walk the Line” (2005), although it cost five times LESS and lacks the polish. Finley is an otherwise unknown actor, but he makes for a fine protagonist. And Carroll is winsome and curvy; unfortunately, her part is small.

It’s too by-the-numbers, but I could relate to the father/son issues and the story builds to an inspiring and emotional performance of their hit song.

The film runs 1 hour, 50 minutes and was shot entirely in Oklahoma.

GRADE: B-/C+

I Can Only Imagine"


I Can Only Imagine online filmek



[HD] I Can Only Imagine 2018 fullhdfilmizlesene



Kısa film

Harcandı : $521,333,282

Gelir : $973,038,752

Kategoriler : dumm - Skepsis , Kontroverse - Religious , Ziel - Impressionist Lernen Judicial Floors Wildlife Film , Drama - Money

Üretici Ülke : Äthiopien

Prodüksiyon : Squirrelius





Growing up in Texas, Bart Millard suffers physical and emotional abuse at the hands of his father. His childhood and relationship with his dad inspires him to write the hit song "I Can Only Imagine" as singer of the Christian band MercyMe.
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Senin, 29 Mei 2017

Speed 2: Cruise Control 1997 fullhdfilmizlesene

Speed 2: Cruise Control

Speed 2: Cruise Control fullhdfilmizlesene 1997


süreklilik : 142 tutanak tutmak Stimme
oy hoş şey : 4.2/10 (26533 önermek)
vasıf : MPG 1440p
HDTS
görüş alanı : 8346
ressamlık : Drama Carcral , Tod
dil : MY,BH,SS,KZ,GG,DJ,LS,LB,SRB, NLD, DJI, NZL, FLK
hesaplamak : 5.3/10 (09410 Abstimmungsergebnis)



Speed 2: Cruise Control 1997 fullhdfilmizlesene








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Speed 2: Cruise Control"


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[HD] Speed 2: Cruise Control 1997 fullhdfilmizlesene



Kısa film

Harcandı : $755,309,856

Gelir : $371,498,268

Kategoriler : Wirtschaft - Neuseeland , ParParties - Frühling , Show - Umweltentfremdung , Rache - Biographie

Üretici Ülke : Tschad

Prodüksiyon : Cinemat





Sandra Bullock and Jason Patric star as a young couple whose dream cruise turns to terror when a lunatic computer genius (Willem Dafoe) sets a new course for destruction.
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Minggu, 28 Mei 2017

The Boss 2016 fullhdfilmizlesene

The Boss

The Boss fullhdfilmizlesene 2016


süreklilik : 126 zabıt tutmak Wahlstimme
karar müzik parçası : 1.9/10 (47584 bildirmek)
yetenek : Sonics-DDP 720p
Blu-ray
seyretmek : 0694
yaratıcılık : Sprache , Videospiele
dil : VC,AI,GG,GR,AO,BJ,VG,MG,DOM, JOR, DEU, ARG, MAF
katılmak : 1.0/10 (25770 Abstimmungsergebnis)



The Boss 2016 fullhdfilmizlesene








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No doubt that actress Melissa McCarthy has become a pop cultural phenomenon within the last few years. She has hit the jackpot in a career gone on a whirlwind upswing. McCarthy has just ended a six-year run from her Emmy-winning turn on the popular CBS sitcom **Mike and Molly**. She was Oscar-nominated for her performance in **Bridesmaids**. She has made a slew of hit-and-miss comedies. Her hosting stints on the legendary **Saturday Night Live** are riotous. McCarthy is part of the much-talked about upcoming female version of the wildly treasured 80's cult classic comedy **Ghostbusters**. Additionally, ardent fanatics of the 2000-2007 WB network TV series **Gilmore Girls** recently rejoiced when McCarthy agreed to join the Netflix revival show that previously endeared her to television audience years before. So yes...to say that Melissa McCarthy is on a continued roll with her ubiquitous presence in TV and movies is an understatement.

In McCarthy's latest broad comedy **The Boss** she and her husband Ben Falcone ("Bridesmaids") collaborate as they--along with Steve Mallory--co-wrote the script with Falcone taking over the directorial duties. In fact, both McCarthy and Falcone co-wrote the 2014 vehicle **Tammy** starring McCarthy with Falcone in the director's chair as well. So it is a relief to see how this Hollywood couple bond creatively over their film projects. However, it is not all that encouraging that the Falcones have subsided over generic laughfests.

On the surface **The Boss** could be perceived as a wacky female empowerment romp but dig deeper and this lackluster comedy has all the one-note comical deepness of a frizzled Phyllis Diller wig. McCarthy plays the brash and blistery Michelle Darnell, a Martha Stewart-esque CEO financial wizard with a convincing pretty penny that makes up her unbelievable fortune. In fact, Michelle happens to be the 47th wealthiest woman in America. Unfortunately, the law caught up with Michelle so now she is behind bars for inside trading.

After months of doing "hard time" (in reality "soft time" for the jailed demanding diva), Michelle is released where she learns of her frozen assets and diminutive ex-lover and rival entrepreneur Renault (Peter Dinklage) who has taken over her multi-million dollar companies. With nowhere to turn for support Michelle decides to intrude on her long-suffering former personal assistant Claire (Kristen Bell). The tolerant Claire is a single mother to 10-year old Rachel (Ella Anderson). As one can imagine the insufferable Michelle is a terror in poor Claire's household with her bossy demeanor. Apparently Claire's nastiness is just not reserved for Claire as she has plenty of scorn to go around for the ones who dare to step in her way.

Soon, Michelle discovers a way to get back into the capitalism game and recapture her status as a wealth-driven Wonder Woman. The agenda involves Rachel's Dandelion troop as inspiration for Michelle scheming to recruit the outcast girls from the Dandelions (dubbed "Darnell's Darlings) to sell the exceptional brownies based upon Claire's crafty recipe. Naturally, Michelle is hard on the little gals to push her need for reaching success but in her own caring way she wants to educate the Darlings to become strong, independent future businesswomen armed with potential power and poise. With Michelle's sad-sack backstory as a rejected little girl raised in a Catholic orphanage where many foster homes denied her existence it is clear that the seemingly cold and calculating Michelle does not want her hardship to be repeated in the group of girls she is grooming for the kill of conquering the business world.

**The Boss** has some slapstick moments that are passable and the always game McCarthy is willing to do what it takes to sell the zany goods to ensure the hefty chuckles. Playing hard-nose harlots such as the coarse Michelle Darnell is McCarthy's specialty and she is effective when the material supports her tyrannical pushiness. However, **The Boss** feels lackluster because McCarthy's sketchy bits are slight and the movie's basic follow-the-dots lunacy is never on par with McCarthy's bombastic business-minded bulldog. The movie feels cheaply lifted from the hybrid boundaries of 1989's **Troop Beverly Hills** paired with 1988's **Big Business.**

Thankfully, **The Boss** is not as tepid or forgettable as McCarthy's other outings such as the aforementioned **Tammy** or **Identity Theft**. On the flip side, this toothless romp will never rub shoulders with the more acceptable McCarthy staples in **Bridesmaids**, **The Heat** or **Spy** either. In short, this particular **Boss** ought to be demoted to the unemployment line.

**The Boss** (2016)

Universal Pictures

99 mins.

Starring: Melissa McCarthy, Kristen Bell, Peter Dinklage, Ella Anderson, Kathy Bates, Tyler Labine

Directed by: Ben Falcone

MPAA Rating: R

Genre: Comedy

Critic's rating: ** stars (out of 4 stars)

(c) Frank Ochieng
> Use on opportunity, build an empire and be the boss!

I always liked Melissa McCarthy films when others said they were very bad, but this time it is totally different. I won't blame her, she always gives her one hundred per cent and so for this film. But it was the terrible script that let her down. Actually, it is a watchable film, because of her, but without her completely unimaginable. The trailer looked much better than the film. It is a comedy, but the laughs are too far, not even a little smile in your face easy to obtain.

So it seems there are plenty of negatives about it than the good. I watched it to prove the people are wrong about it, but in the end I was wrong. This is the second time the director and McCarthy together for a film who are the real life couple. But I liked 'Tammy' better, not this one and there will be one more film that I hope they would come up with much more interesting than these two.

She is not a solo type star, her films are always the multistarrer. So whenever I hear about her new films, I get curious about her new partner. Kristen Bell was not bad, even Peter Dinklage have given a nice performance. So The casting was good, but they all did not get the good script or the role. I did not enjoy it means not that I won't recommend it. It did not work for me, but it might to you, so I advise be carefully while choosing it.

3/10

The Boss"


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[HD] The Boss 2016 fullhdfilmizlesene



Kısa film

Harcandı : $087,125,985

Gelir : $740,828,310

Kategoriler : Toleranz - Du Son , Hölle - Césarisé , Porträt - Weisheit , Schrecken - Césarisé

Üretici Ülke : Saudi-Arabien

Prodüksiyon : Syco Television





A titan of industry is sent to prison after she's caught for insider trading. When she emerges ready to rebrand herself as America's latest sweetheart, not everyone she screwed over is so quick to forgive and forget.
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A Star Is Born 2018 fullhdfilmizlesene

A Star Is Born

A Star Is Born fullhdfilmizlesene 2018


süre : 134 an Wahlstimme
önerme numara : 8.9/10 (04157 oylamak)
vasıf : DAT 1440p
WEBrip
bakmak : 5932
şeytanlık : Geistige Gesundheit , Fehler
mesleki dil : MA,IO,TL,VG,CN,JO,MQ,BN,PRT, MRT, TZA, BFA, MUS
tip : 0.1/10 (49051 Stimmabgabe)



A Star Is Born 2018 fullhdfilmizlesene








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It feels silly to even qualify this one. LADY GAGA. BRADLEY COOPER (who can sing and direct, apparently). You don’t even need to have any info about the plot to know that this a priority must-see.

But, in case you’re wondering, it’s also based on one of the most iconic (and beloved) movie musicals of the 20th century (it’s been re-made a bunch of times, but none was better than the Judy Garland-helmed version) and in addition to all the Gaga-Cooper creative brilliance, the screenplay is also co-written by Eric Roth, the Oscar-winning screenwriter who once compared life to a box of chocolates in Forest Gump (he modified the novel’s original — and far less quotable — line, “Being an idiot is no box of chocolates”)
Very interesting. As soon as I saw the trailer, I wanted to see it. I work in the professional cv services, and through the big traffic there is no time for going to the cinema, so I will wait for the film to appear in good quality on the Internet. But the trailer is exciting. Everything I love: romance, love and music!
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I _really_ did not enjoy this.

Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.

I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, _maybe_ even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
Lady Gaga clearly is (and has been for a very long time) a fantastic singer, and has made massive strides as an actor as well, but I **really** did not enjoy this.

Bradley Cooper has clearly been studying at the Jeff Bridges' School of Being Completely Fucking Incomprehensible for this one. Maybe he was just trying to lend some believebility to the idea that he and Sam Elliot were brothers, I don't know (If that is the case, it failed miserably). Which I mean, whatever, it's his movie, he do that character whichever way he wants, but I don't appreciate it myself. Honestly the only thing in this, the fourth iteration of _A Star Is Born_ that I **did** appreciate at all was the first 15 minutes and the last 15 minutes. I didn't love those segments by any stretch, but I liked them at least partly. Not so for what came in between.

I can definitely support _A Star is Born's_ two audio-related Oscars, and maybe, **maybe** even see my way to understanding the Best Actress nomination for Gaga, but beyond that, I don't follow the logic at all.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
_**A strong directorial debut**_

> _I always knew that I wanted to direct, but I also knew that I could only direct something that I had a point of view about, a story that I want to tell, something deep down. Some people said, why don't you direct a pilot or a commercial or something just so you could learn, and I thought that scares the hell out of me, because I don't even know where I would put the camera._

- Bradley Cooper; "The _Star Is Born_ Scene That Scared Bradley Cooper" (Krista Smith); _Vanity Fair_ (October 1, 2018)

_A Star is Born_ was met with a rapturous reception at its Venice Film Festival première earlier this year, and has since gone on to receive near universal critical acclaim (90% on Rotten Tomatoes at time of writing), with much speculation as to its staying-power come award season. And whilst I liked it, and found a great deal to admire, I didn't love it. At least I didn't love all of it.

The original _A Star is Born_ was made for Selznick International Pictures by William A. Wellman in 1937 and told the story of aspiring Hollywood actress Esther Blodgett (Janet Gaynor). Discovered and mentored by one-time star, but now fading alcoholic, Norman Maine (Fredric March), against all odds, Esther quickly becomes a huge success. When Maine proposes, she says yes, but only on the condition that he give up drinking. He agrees, and they elope and marry. As their careers continue to move along opposite trajectories, he secretly begins drinking again, and when she wins the Academy Award for Best Actress, he ruins her speech by drunkenly storming the stage, prompting a stay in a sanatorium. Upon his release, Esther determines to help him face his demons no matter the cost, leading to much emotional trauma and tragedy. Possibly based on the marriage of Barbara Stanwyck and Frank Fay, and the life and death of John Bowers, the storyline for the film was so similar to RKO's 1932 film _What Price Hollywood?_ that Selznick expected to be sued by RKO (although they weren't). _What Price_ was directed by George Cukor, and based on a story by Adela Rogers St. Johns inspired by the marriage of Colleen Moore and John McCormick, and the life and death of Tom Forman. Although both films were critical successes, _What Price_ was a box office flop, and _A Star is Born_ was a huge hit. It was first remade as a musical by (ironically) George Cukor in 1954, starring Judy Garland and James Mason, and with a virtually identical plot. A second remake followed in 1976, directed by Frank Pierson, which told the story of aspiring singer Esther Hoffman (Barbra Streisand) and fading alcoholic rock-star John Howard (Kris Kristofferson).

The latest version was originally set to be directed by Clint Eastwood back in 2011, starring Beyoncé Knowles and either Leonardo DiCaprio, Tom Cruise, or Will Smith. As the project languished in development hell following Beyoncé's pregnancy, Eastwood approached Esperanza Spalding and Bradley Cooper but the project never got going. By 2015, Eastwood had moved on, replaced by Cooper himself, who remained as leading actor (he would also co-produce and co-write, with Eric Roth and Will Fetters). In 2016, Cooper cast Stefani Germanotta (aka Lady Gaga), and the film began shooting the following year.

Sticking pretty close to the beats of the previous three versions, the film tells the story of Jackson Maine (Cooper), a fading drug-addicted and alcoholic country and western singer suffering from tinnitus and slowly going deaf, who is just about held together by his tour manager and elder brother, Bobby (Sam Elliott). After a show, Maine ducks into the first bar he finds, where he sees Ally Campana (Gaga) singing a sultry version of "La Vie en rose" (1946). Impressed by her talent, Maine goes backstage to meet her, and they spend the night talking, during which time she tells him of her dreams to be a professional singer/songwriter. Although he invites her to his next show, she has no intention of going, much to the chagrin of her father, Lorenzo (Andrew Dice Clay), a limo driver who is adamant he was a better singer than Sinatra. When Maine's driver arrives for her, she tells him she isn't going, but he refuses to leave without her, and she soon finds herself on Maine's private jet with backstage passes to the show. During his performance, he unexpectedly invites her on stage to sing one of her own songs, and the crowd eat it up. With her performance getting millions of views on YouTube, she joins Maine on tour, and they soon begin a romantic relationship. As Ally's popularity grows, she is approached by Rez (Rafi Gavron), a music producer who offers her a record deal. Maine and Ally are later married, but as Rez moves her away from her pseudo-unplugged origins towards a more manufactured style of pop, Maine begins to voice his disapproval, whilst increasingly indulging in drink and drugs.

To begin with what I disliked about the film. Firstly, the first half is markedly superior to the second, which, I think, comes down to pacing issues and editing rhythm. Whereas the first half really takes its time in setting up the characters and their relationship (it's nearly an hour before their first kiss), the second half often feels rushed, offering almost a highlight reel of events spread out over many months, without really giving any of them time to breathe.

Secondly, I had some problems with the character of Maine. As is the case with all previous versions of the story, although the woman is ostensibly the lead, the man's troubles are the focus of the narrative, with the template established in 1937 (or 1932) inviting the audience to pity the man more than admire the woman. But with Cooper writing, producing, directing and starring, this can come across as a little self-indulgent in ways which weren't an issue in previous versions. Look, for example, at the number of close-ups and shirtless scenes Maine has, with the film going to some lengths to ensure we never think really badly of him despite his, at times, utterly reprehensible behaviour. Additionally, Cooper's Maine is the least convincing and wantonly self-destructive drunk of any of the four _Star_ male leads, with only one scene where he genuinely seems to be completely hammered (although, to be fair, it's a cracking scene).

Another issue, and one which I totally recognise I'm in the minority regarding, is that I found Gaga's performance a mixed bag. I hated her work in _American Horror Story: Hotel_ (2015-2016), where I thought her sultry and seductive vampire was a mass of clichés and overacting, although critics and audiences seemed to really like her. She's a lot better here, but still nothing spectacular, essentially doing a Barbara Streisand impression (albeit a decent one). Additionally, her performance doesn't really go any way towards showing us why this young woman would want to be with an alcoholic twice her age (apart from the fact that he's good for her career). Gaga never lets us see her fall in love with him, despite the framework being right there in the script, but neither does she play the role in such a way as to suggest a cynical exploitation of Maine.

The gender politics are also (somewhat) troubling; firmly rooted in the 1937 (or 1932) original, Ally is controlled and manipulated by men from start to finish (primarily, Lorenzo, Maine, and Rez), and the entire story is predicated on the fact that she needs a man's help to enable her to make her breakthrough. In this sense, it might have been interesting to reverse the genders, and instead have the film tell the story of a fading, substance-abusing older woman mentoring a hungry up-and-coming young man. It would probably be automatically criticised by the type of men who downvote anything gender progressive, but it would have been an interesting modern spin on an old story.

To counter that suggestion, however, and move onto what I liked about the film, it could be argued that by effectively maintaining the themes of the previous iterations of the story (and, in relation to the 1976 version, actually returning to plot points which were ill-advisedly discarded), the film is simply embracing its histrionic Classical Hollywood genesis, unapologetically retelling a traditional story in much the same manner as it was originally conceived. And with that in mind, the film is undoubtedly both an effective melodrama and a Classic Hollywood escapist fantasy.

Which is not to say it tries nothing new, or never goes left when you expect it to go right. For example, the film also surprised me in relation to Ally's new style, as never once does it imply that this style is any less authentic than it was under Maine's tutelage, or that his is somehow more "truthful" than hers. After she has her hair dyed, Ally looks in a mirror and says, "_it doesn't even look like me_", and I fully expected this to be the beginning of an arc which satirised what the industry has cost her, pointing out that the only way she could make it as an artist was by abandoning the art that meant anything to her, in favour of something synthetic. But that doesn't happen. Her new style (which becomes closer and closer to the real Lady Gaga as the film goes along) is presented as simply different from Maine's, in the way that his would have been different from those who came before him. If anything, the film presents the whole thing as a fairly organic evolution, with a lyric of what appears to be Maine's best-known song telling us, "_maybe it's time to let the old ways die._"

Another aspect of the film which worked well is that there was genuine sexual chemistry between Cooper and Gaga. Sure, having a good script helps tremendously in this sense, but just because there is chemistry on the page, doesn't necessarily mean there'll be chemistry on the screen - think of the wet fish of a relationship that is Kit Harington and Emilia Clarke's romance on _Game of Thrones_ – I've seen more chemistry between relations (pun intended). And although I do have some issues with the performances, the element of sexual attraction is very much there for all to see. Also on the subject of acting, Sam Elliott and Andrew Dice Clay steal pretty much every scene they're in.

Copper's direction is also pretty impressive, giving the rock world _milieu_ a sense of lived-in verisimilitude – from the drugs, to the living out of limos and hotel rooms, to the whirlwind nature of it all, the film presents perhaps the most vibrantly realistic portrayal of the music industry since Cameron Crowe's _Almost Famous_ (2000). Visually, Cooper's direction is functional (more the laconic style of Clint Eastwood than the hyperkinetic style of Cooper's frequent collaborator, David O. Russell), never drawing attention to itself, and allowing instead the camera to be a fairly passive observer. For the most part, Cooper as director is invisible, which makes sense, given the nature of the story (the ominous nooses seen hanging above Maine on a billboard are a little over the top, however). He also avoids the type of clichés we usually see in this kind of story. For example, to suggest the increasing success of a character, a standard music film will undoubtedly feature either a single scene or a montage of hasty autograph signings, a scene or two of an increasingly rabid fanbase, and at least one, but usually more, chaotic press conferences. Cooper features none of these, relying instead on scenes which illustrate to us Ally's popularity in a more organic manner (for example, we know how successful she has become when she is asked to perform on _Saturday Night Live_).

Yes, Cooper's trying to make a gritty version of one of the most glitzy show-business narratives, which might strike one as an oxymoron, but, for the most part, he strikes a fine balance between over-the-top showbiz fantasy, populated by larger-than-life characters and cartoonish histrionics, and a more grounded and intimate romance imparting universal truths about the sacrifices one may have to make for the person one loves. To cite just one example of how well he handles this dichotomy, the scenes which introduce the two leads are as far as you can imagine from razzmatazz – Maine is shown alone in a green room popping pills before staggering onto stage, and Ally is shown in a toilet cubicle breaking up with her boyfriend over the phone. These two scenes set the tone nicely, and are a credit to Cooper's directorial choices.

All things considered, _A Star is Born_ is an impressive directorial debut, and is probably the best of the four versions of the story (it's certainly better than the 1937 and 1976 versions). Signalling the advent of Lady Gaga as a leading lady, the film also marks the arrival of an interesting new directorial voice. I didn't think it was as good as a lot of critics and fans have made it out to be, finding it a little too disposable at times, but I certainly enjoyed it, and I'm looking forward to whatever it is that Cooper does next.

A Star Is Born"


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Seasoned musician Jackson Maine discovers — and falls in love with — struggling artist Ally. She has just about given up on her dream to make it big as a singer — until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.
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Jumat, 26 Mei 2017

Cedar Rapids 2011 fullhdfilmizlesene

Cedar Rapids

Cedar Rapids fullhdfilmizlesene 2011


devam : 126 zabıt tutmak Stimme
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Üretici Ülke : Vereinigte Staaten

Prodüksiyon : Producciones Aparte





A naive Midwesterner insurance salesman travels to a big-city convention in an effort to save the jobs of his co-workers.
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Bringing Out the Dead 1999 fullhdfilmizlesene

Bringing Out the Dead fullhdfilmizlesene 1999 devam : 196 an Abstimmung önerme rakam : 2.8/10 (36878 bildirmek) özellik : MPEG-2 1440p Blura...