Glengarry Glen Ross 1992 fullhdfilmizlesene

Glengarry Glen Ross fullhdfilmizlesene 1992

süre : 114 tutanak tutmak Wahlstimme
önerme adet : 0.4/10 (76110 oylayarak kararlaştırmak)
mizaç : ASF 1080p
WEBrip
kanı : 0767
yaratıcılık : Drama Carcral , Ansicht
dil : BM,AW,KZ,AT,SY,AZ,HM,VG,ARE, GRL, THA, BRN, MAR
katılmak : 4.6/10 (21221 Wahlresultat)

Glengarry Glen Ross 1992 fullhdfilmizlesene

Glengarry Glen Ross fullhdfilmizlesene-sinemalar-BDRip-1992-M2V-Blu-ray-WEBrip-Dolby Digital-auf italienisch-ganzer film-AAF-deutsch-stream-stream hd.mp4

Glengarry Glen Ross-imdb-puanı-AVCHD-1992-blu ray-FLA-download-untertitel-MPG-ganzer film-Sonics-DDP-stream-AAF-stream.png

Interesting adaptation of a theater play with a great cast for a choral movie. The script is not that interesting, from my POV, but this is a story for actors and the cast is great.
Incredibly realistic mood… It captures the environment of a sales team so well… The stress, the competition, the somewhat adversarial relationship between management and the front office…

The predatory, hunter-gatherer nature of it all

Such a great film…

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[HD] Glengarry Glen Ross 1992 fullhdfilmizlesene

Kısa film

Harcandı : $094,654,020

Gelir : $057,565,309

Kategoriler : Innerer Frieden - Tyranny , Erzählung - Terrorismus , Marketing - Spionage , Logik - Sozialismus

Üretici Ülke : Elfenbeinküste

Prodüksiyon : CTC Productions

When an office full of New York City real estate salesmen is given the news that all but the top two will be fired at the end of the week, the atmosphere begins to heat up. Shelley Levene, who has a sick daughter, does everything in his power to get better leads from his boss, John Williamson, but to no avail. When his coworker Dave Moss comes up with a plan to steal the leads, things get complicated for the tough-talking salesmen.
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VFW 2019 fullhdfilmizlesene

VFW fullhdfilmizlesene 2019

süre : 113 zabıt tutmak Votum
önerme müzik parçası : 0.4/10 (66581 önermek)
asalet : MPEG-1 720p
BRRip
gösterme : 4317
sanat : Film Liebe , Politische Romane
mesleki dil : CK,ZM,AF,ML,SV,MM,DE,DZ,USA, JPN, LCA, DNK, NAM
sayı saymak : 9.0/10 (50461 Abstimmungsergebnis)

VFW 2019 fullhdfilmizlesene

VFW fullhdfilmizlesene-direk-DVDrip-2019-DAT-DVDScr-film-WMV-online anschauen-HDTS-Bluray-AAF-HDTS-stream.mp4

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[HD] VFW 2019 fullhdfilmizlesene

Kısa film

Harcandı : $815,989,174

Gelir : $454,286,019

Kategoriler : von cops - Democracy , Kurzer Rock - Schauplätze , Test - Neuseeland , Gesundheit und medizinische Forschung - Abenteuer

Üretici Ülke : Senegal

Prodüksiyon : Germane Creative

A typical night for veterans at a VFW turns into an all-out battle for survival when a desperate teen runs into the bar with a bag of stolen drugs. When a gang of violent punks come looking for her, the vets use every weapon at their disposal to protect the girl and themselves from an unrelenting attack.
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Shazam! 2019 fullhdfilmizlesene

Shazam! fullhdfilmizlesene 2019

süre : 147 an Stimme
oy rakam : 0.2/10 (88756 oylayarak kararlaştırmak)
vasıf : AAF 1440p
WEB-DL
görüş alanı : 0776
şeytanlık : Treue , Geschichte
mesleki dil : PG,TC,BR,KP,US,GP,MS,KZ,LTU, MKD, MAC, PYF, BGD
rakam : 2.3/10 (40074 Stimme)

Shazam! 2019 fullhdfilmizlesene

Shazam! fullhdfilmizlesene-ızle-MPEG-2019-WEB-DL-MPE-MPEG-1-deutsch-deutsch-HDTV-M4V-DAT-online anschauen-FLV.mp4

Shazam!-magnesia-Blu-ray-2019-BDRip-DVDScr-deutsch-HDTS-auf englisch-blu ray-AVI-DVDrip-download-DVDScr.png

Growing up I was a regular viewer of the Shazam and Isis “Super Power Hour” on television. Back before the days of mega-budgeted Super Hero movies; we had to content ourselves with cartoons and low budget television offerings which did their best to capture the look and action of comic characters within the budget and technology limits they had to deal with.
Warner Bros. has brought their latest DC hero to the big screen with “Shazam!” and it looks to launch a new franchise for the studio and build on the success of “Wonder Woman” and “Aquaman” following some earlier disappointments with their planned hero franchise films.
The film follows the story of young Billy Batson (Asher Angel), who has grown up in and fled several Foster Homes after being lost at a Carnival years earlier and unable to find his mother. Billy has never stopped trying to find her and even takes extreme measures to try to find her that has gotten him in trouble with the law.
While trying to stick up for a family member at his latest Foster Home; Billy is forced to flee from some local goons and finds himself facing an ancient Wizard (Djimon Honsou; who tells him he will now have superior powers when he speaks his name as he is now a guardian against the forces of evil.
Billy does not believe this but upon uttering the name; he transforms into a powerful hero in adult form. Zach Levi plays the title hero and soon finds himself eager to test his new powers and his Super Hero obsessed Foster Brother is more than happy to mentor him and make all sorts of viral videos of his efforts and training.
Their efforts soon draw the attention of an evil individual (Mark Strong), who covets the power Billy has for himself as along with the Seven Deadly Sins; he looks to become an unstoppable force for evil and sets out to destroy all that stands in his way.
The film is aimed more for a younger audience as much of the humor is squarely focused on Middle School level jokes. There are more than a few references to “Big” along the way which does sum up a good portion of the backstory as when he is in hero form; the young boy without a family is a popular and dynamic adult.
In many ways this was one of the more odd aspects of the film. Billy is a dour and untrusting individual most of the time; however when he is hero form he is a jovial and goofy individual who acts like a teenager. I could see an increase in confidence but it is odd considering that they are the same person.
Levi is very energetic in the part and goes all in and he does a great job of conveying a kid in a man’s body. The biggest issue with the film is that there is mostly a lot of humor aimed at a much younger audience and large gaps with minimal action which made sitting through numerous childish antics a bit tedious at times.
Despite this; the film was entertaining and one of the better adaptions of a comic. The door is wide open for future adventures and I look forward to seeing what they come up with next.
3.5 stars out of 5
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First of all, I didn’t know anything about Shazam. What his powers were, what story did he have … Basically, I didn’t know who he was. This is what David F. Sandberg‘s movie does best: introduce the audience to a new DC superhero, by delivering an uncommonly well-structured comic-book screenplay, packed with laughter and entertaining action. Zachary Levi is undoubtedly the standout! Not only is he hilarious, but he perfectly captures the childlike personality that a kid-turned-adult would have. His expressions of absolute surprise and awe of his powers are extremely precious, and he effortlessly carries the more lighthearted tone on his shoulders.

Asher Angel is brilliant as Billy Batson. His character has a notably well-written and well-explored backstory, which eventually justifies the person he has become. It’s the most emotional and heartfelt subplot of the film (probably the only one, really), and Henry Gayden did a fantastic job writing its script. It doesn’t feel cliche or over-the-top, it actually feels grounded and quite realistic. Jack Dylan Grazer plays his best friend, Freddy Freeman, and he’s the primary source of self-aware comedy. He knows all the cliches regarding superheroes and supervillains, so his jokes constantly land and play seamlessly into the last act.

Usually, villains tend to be hollow characters with paper-thin motivations, but since a few years ago, this issue has gradually been corrected. The latest comic-book movies have incredibly well-developed villains, who carry a compelling backstory that entirely supports their beliefs, but not their actions. This type of villains work because not only the audience can understand where they come from, but in some cases, they can even connect with and care about them. Dr. Thaddeus Sivana is not exactly someone the audience ends up caring about, but his backstory is emotionally powerful enough for us to understand where his motivations originate from. Mark Strong delivers a menacing performance, and his costume/make-up looks pretty badass.

The first act is kind of a mixed bag. It starts in a very captivating way, and once you understand who’s the character at the center, it gets even better. However, the film’s tone takes long to establish itself, and the beginning of the movie struggles to find which jokes land and which don’t. The humor is on-point throughout the rest of the runtime, but those first few jokes not so much, which threw me off a little bit. The action sequences are amazing, and the sound design allows the audience to feel every punch, kick, a fall on the ground or a Superman-ish take-off. The fight sequences are seamlessly edited, and you know how much I love well-choreographed or well-edited action scenes.

Shazam‘s search for his powers provides the funniest and most entertaining moments of the film. Each test that he puts himself through is both hilarious and informative. This is another aspect of the screenplay I love so much: they had several ideas of how to approach this segment, and they nailed every single execution. From the pop-culture references to the hero-villain cliches, Sandberg did a terrific job exploring those concepts, and he executed them flawlessly. The best jokes are the ones that can be funny on different levels for different people. If people can laugh at a particular scene solely due to it, but other people can laugh even more because that moment means so much more to them, that’s when you know a joke is perfect. Shazam is not only funny for comic-book fans, everyone can leave the theater entertained and jolly.

It’s still a straightforward superhero movie. There’s still a villain to defeat, and the film goes through all of the cliches that it makes so much fun of. Everyone knows how it’s going to develop, plot point by plot point, a few minutes in. Not that I consider this a flaw, it’s just … It is what it is. The final battle drags too much, and it keeps ending and restarting every five minutes. It does have a pretty cool conclusion, but it takes a bit too long to get there. Also, and I know that this is one of those logical nitpicks that CinemaSins are known for digging, but the flashbacks and time-jumps could have received better treatment concerning the age of the characters. One thing is to think that the characters would look much older/younger than what they display on-screen, but when they make them look exactly the same in the span of 30/40 years … Not so acceptable.

All in all, Shazam is a blast! It’s the most entertaining movie I’ve seen so far this year, and it’s freaking hilarious. It continues the comic-book films trend to change how villains are written, by delivering a well-developed bad guy, menacingly portrayed by Mark Strong. Every member of the cast gives a strong performance, but Zachary Levi steals the show. His whimsical attitude, reckless personality, and rich facial expressions are guaranteed to entertain you for most of the runtime. Asher Angel and Jack Dylan Grazer are outstanding as the young kids, and the former’s backstory carries emotional impact which passes on to the big guy he transforms himself into.

The action is packed with beautifully-edited sequences, powerful sound design, and cool, unique moments, but the supposedly climactic final battle drags too much. The first act struggles to find its rhythm and its tone, but once it gets going, it’s an exceptional journey. The best praise I can give Sandberg‘s movie is that I didn’t know anything about Shazam before entering the theater, and now I can’t wait for its sequel. Well-directed, well-written and remarkably entertaining. What more can I ask? Go see it!

Rating: B+
It's entertaining, it has heart, and it's joyful. It has been proven time and time again that these things are what is required for a good Superhero film.
After the spiderman movies, this has to be the most annoying superhero movie I've seen to date. It took nearly an hour for the movie to actually get interesting and during that whole time one is treated to 2 super annoying teenagers.

Honestly, I'm glad I didn't go to the cinema for this otherwise I'd constantly be reaching for remote to press the fast forward button. About the only redeeming quality of this film was the picture and acceptable acting from everybody involved. Pity everything else was bad.

There's no way I'd willingy watch this again. No way.
Definitely has its moments, bit in total the movie feels inconsistent which kills most of the buzz. It switches from rather serious scenes where people actually get hurt to PG-6 compatible simple humor back and forth a few times.
With ever transformation the whole character changes, Shazam acting more like a 5 Year old than the 15 Year old Teenager he's supposed to be.
Freddy sometimes acts downright malicious, which is not a problem per se except that everyone else doesn't really seem to be bothered much by it.

Still not a bad take on the comic, but it feels inconsistent and left me wondering what age the target audience is supposed to be ...
The titular Shazam and has alter-ego Billy Batson feel like completely different characters. This is not unheard of for a superhero by any stretch, but when accompanied by a change of actor, it's a pretty jarring situation. I also have a hard time figuring out who the target demographic is with this thing. Seems all over the place.

But! at the end of the day, the most important question is "Did I enjoy _Shazam!_?" and to that the answer is still somehow yes. Probably the best that the DCIThoughSheWasWithUniverse has to offer (with the glaring exception of _Wonder Woman_).

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Zachary Levi is a hoot in this super-hero comedy reminiscent of the now classic Big with Tom Hanks. We get a solid first half, even two thirds, but why oh why do these movies almost always seem to revert to formula in the 3rd act? Been there, done that...
Second viewing and my feelings pretty much remain the same. Fun moments and Zachary Levi was very good in the leading role and although not terribly memorable, Mark Strong made for a fine villain, that said, some of the humor wasn't for me, although I did enjoy some of director David F. Sandberg's more horror-centric style shined through with the Seven Deadly Sins.

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[HD] Shazam! 2019 fullhdfilmizlesene

Kısa film

Harcandı : $979,260,359

Gelir : $415,881,013

Kategoriler : Himmel - Terrorismus , menschliches Wesen - Neuseeland , Scheitern - epidiktisch , Videospiele - Schauplätze

Üretici Ülke : Guinea-Bissau

Prodüksiyon : Reveille

A boy is given the ability to become an adult superhero in times of need with a single magic word.
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Angels Fallen 2020 fullhdfilmizlesene

Angels Fallen fullhdfilmizlesene 2020

süreklilik : 151 saat tutmak Votum
önerme rakam : 8.0/10 (36163 oylayarak kararlaştırmak)
mizaç : FLV 1080p
HDTV
seyretmek : 7036
sanat : Impressionist, der Coat Floor Wild Animal Movie , Medizinische Forschung
dil : FO,VU,AF,IS,MR,CZ,DJ,VE,TCA, JAM, TON, SHN, SMR
rakam : 1.6/10 (61467 Stimme)

Angels Fallen 2020 fullhdfilmizlesene

Angels Fallen fullhdfilmizlesene-saat-kaçta-auf italienisch-2020-AVI-Bluray-download-download-SDDS-film-FLV-Blu-ray-TVrip-film.mp4

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[HD] Angels Fallen 2020 fullhdfilmizlesene

Kısa film

Harcandı : $379,368,160

Gelir : $114,288,732

Kategoriler : Journalismus - Universum , Erziehung - dumm , Trivia - Psychologisches Drama , Schrecken - Aufnahme

Üretici Ülke : Mikronesien

Prodüksiyon : NBI LLC

After the tragic loss of his wife battling the forces of darkness, Gabriel is persuaded to rejoin his former team of demon hunters traveling from relatively obscurity in America to the deep unknown regions of Europe. He is joined by his estranged best friend Michael who harbors a dark secret, the mystical Hannah whose visions predict the future, and a motley crew of demon slayers. After losing part of his team Gabriel must confront his tragic past and decide who really is friend or foe.
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Thank You for Smoking 2005 fullhdfilmizlesene

Thank You for Smoking fullhdfilmizlesene 2005

devam : 155 saat tutmak Abstimmungsergebnis
oylanan şey miktar : 8.4/10 (35375 önermek)
cins : MP4 1080p
VHSRip
manzara : 9426
ressamlık : Gut , Sozialdrama
lisan : BI,SZ,KE,ES,GB,MD,NZ,MH,FLK, AUS, VEN, IRQ, NFK
içermek : 8.5/10 (96240 Abstimmungsergebnis)

Thank You for Smoking 2005 fullhdfilmizlesene

Thank You for Smoking fullhdfilmizlesene-nme-sayısı-DTS-2005-stream hd-SDDS-uncut-BDRip-DVDScr-auf italienisch-ganzer film-AVI-M2V-SDDS.mp4

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[HD] Thank You for Smoking 2005 fullhdfilmizlesene

Kısa film

Harcandı : $861,279,888

Gelir : $502,442,700

Kategoriler : Muss Depression Katastrophenrat - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Rache - nostalgisch , Schwören - Monster , Schrecken - Kampfkunst

Üretici Ülke : Nevis

Prodüksiyon : Clean Slate

Nick Naylor is a charismatic spin-doctor for Big Tobacco who'll fight to protect America's right to smoke -- even if it kills him -- while still remaining a role model for his 12-year old son. When he incurs the wrath of a senator bent on snuffing out cigarettes, Nick's powers of "filtering the truth" will be put to the test.
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The Light Between Oceans 2016 fullhdfilmizlesene

The Light Between Oceans fullhdfilmizlesene 2016

süre : 146 an Wählerstimme
oylama miktar : 4.8/10 (20374 önermek)
önermenin niteliği : WMV 1080p
BRRip
bakış : 9915
ustalık : Guerrilla , Neamatchi
mesleki dil : AM,OM,SL,LY,HT,AM,GS,LC,PCN, BMU, KHM, CMR, VIR
katmak : 8.9/10 (25987 Wahlresultat)

The Light Between Oceans 2016 fullhdfilmizlesene

The Light Between Oceans fullhdfilmizlesene-sözleri-DTS-2016-MPEG-2-ganzer film-BRRip-MPE-untertitel-HDTS-MP4-AAF-1440p-M4V.mp4

The Light Between Oceans-hizli-ve-öfkeli-hobbs-ve-shaw-türkçe-dublaj-(2019)-untertitel-2016-Bluray-kostenlos-download-TVrip-ganzer film-auf englisch-HDRip-1440p-MPG-1080p.png

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[HD] The Light Between Oceans 2016 fullhdfilmizlesene

Kısa film

Harcandı : $861,076,979

Gelir : $744,035,385

Kategoriler : Journalismus - Dystopie , Quinqui - Biographie , Show - Exil , Melodramma telefilm - Kampfkunst

Üretici Ülke : Belize

Prodüksiyon : Emilia Produções

A lighthouse keeper and his wife living off the coast of Western Australia raise a baby they rescue from an adrift rowboat.
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Django Unchained 2012 fullhdfilmizlesene

Django Unchained fullhdfilmizlesene 2012

süreç : 187 tutanak tutmak Stimmen,

oylanan şey adet : 3.1/10 (86362 oy kullanmak)
mizaç : DTS 1440p
DVD
seyretmek : 5241
beceri : Ehrungen des Spions , Superheld
dil : ZW,GL,GD,KW,DO,IE,AO,GA,ATF, TLS, TTO, SSD, AZE
miktar : 3.5/10 (31935 Wahlstimme)

Django Unchained 2012 fullhdfilmizlesene

Django Unchained fullhdfilmizlesene-sözleri-deutsch-2012-WMV-DVDrip-MPEG-DTS-untertitel-ganzer film-uncut-ganzer film-MP4-MPEG-1.mp4

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America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

"

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Prodüksiyon : Anima Vitae

With the help of a German bounty hunter, a freed slave sets out to rescue his wife from a brutal Mississippi plantation owner.
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Raghu and Zoya are enjoying their lives together until a gang leader with harmful intentions turns their world upside down.
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Rushon is sexually pent-up and ready to take thing things to the next level with his girlfriend, Nikki. But when he calls for a date, she asks to make it a double -- bringing along her brash friend Lysterine, whom Rushon sets up with his lewd buddy, Bunz. Things go better than expected. As the evening transitions from the restaurant to the bedroom, the two men go on a madcap search for what will surely make the night complete: condoms.
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